Post-Identity: Academic Erasures in the Japanese “Yuri” Genre

datacite.rightsrestricted
dc.contributor.advisorWen, Xin
dc.contributor.advisorBorovoy, Amy
dc.contributor.authorObinata, Kai
dc.date.accessioned2024-07-15T17:24:00Z
dc.date.accessioned2026-09-29T22:00:43Z
dc.date.available2024-07-15T17:24:00Z
dc.date.available2026-09-29T22:00:43Z
dc.date.created2024-05-24
dc.date.issued2024-07-15
dc.description.abstractAnglophone scholarship disproportionately privileges certain discourses in the Japanese literary genre termed yuri. I write of these biases, as well as an unprecedented comprehensive queer-theory account on the state of the yuri genre including trends, frameworks, and rehearsive implications.en_US
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp018049g841s
dc.identifier.urihttps://theses-dissertations.princeton.edu/handle/88435/dsp018049g841s
dc.language.isoenen_US
dc.titlePost-Identity: Academic Erasures in the Japanese “Yuri” Genreen_US
dc.typePrinceton University Senior Theses
pu.certificateProgram in Gender and Sexuality Studiesen_US
pu.contributor.authoridn/a
pu.date.classyear2024en_US
pu.departmentEast Asian Studiesen_US
pu.mudd.walkinNoen_US
pu.pdf.coverpageSeniorThesisCoverPage

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