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The Right to the City: The Art of Graffiti in Berlin & Trenton

datacite.rightsrestricted
dc.contributor.advisorFernandez-Kelly, Patricia
dc.contributor.authorLeiva, Gerson
dc.date.accessioned2016-06-29T15:44:36Z
dc.date.accessioned2026-09-30T01:29:09Z
dc.date.available2016-06-29T15:44:36Z
dc.date.available2026-09-30T01:29:09Z
dc.date.created2016-04-08
dc.date.issued2016-06-29
dc.description.abstractThe purpose of my paper is underline the importance of graffiti in our international and urban culture with a focus in Berlin and Trenton. For a long time it has been stigmatized and viewed as something damaging to our society. Through an ethnographic approach, I have learned to understand that this art form is meant to be provocative. Its purpose is not only to stir up dialogue about sensitive information but also to beautify decayed spaces. It has become a tradition in the disappearing cities.en_US
dc.format.extent74 pages*
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01v405sc82g
dc.identifier.urihttps://theses-dissertations.princeton.edu/handle/88435/dsp01v405sc82g
dc.language.isoen_USen_US
dc.titleThe Right to the City: The Art of Graffiti in Berlin & Trentonen_US
dc.typePrinceton University Senior Theses
dspace.entity.typePublication
pu.date.classyear2016en_US
pu.departmentSociologyen_US
pu.pdf.coverpageSeniorThesisCoverPage

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