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Omnis Celestis Symphonia: Conceptions of Harmony in the Thought and Music of St. Hildegard of Bingen

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datacite.rightsrestricted
dc.contributor.advisorHeller-Roazen, Daniel
dc.contributor.advisorReuland, Jamie
dc.contributor.authorCollum, Magdalena
dc.date.accessioned2018-07-30T13:00:35Z
dc.date.accessioned2026-09-29T21:50:01Z
dc.date.available2018-07-30T13:00:35Z
dc.date.available2026-09-29T21:50:01Z
dc.date.created2018-04-16
dc.date.issued2018-7-30
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01c821gn496
dc.identifier.urihttps://theses-dissertations.princeton.edu/handle/88435/dsp01c821gn496
dc.language.isoenen_US
dc.titleOmnis Celestis Symphonia: Conceptions of Harmony in the Thought and Music of St. Hildegard of Bingenen_US
dc.typePrinceton University Senior Theses
dspace.entity.typePublication
pu.certificateMedieval Studies Programen_US
pu.contributor.authorid960962209
pu.date.classyear2018en_US
pu.departmentComparative Literatureen_US
pu.pdf.coverpageSeniorThesisCoverPage

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Comparative Literature, 1975-2026
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