Forging Identity: The Intersection of Tradition and Modernity in Nigerian Architecture

Abstract

This thesis explores the role of architectural hybridization in shaping the postcolonial landscape of Nigeria. By engaging with the indigenous architectural traditions of the Hausa-Fulani, Yoruba, and Igbo people while also analyzing the lasting effects of British colonialism, this thesis argues that Nigerian and West African architecture has developed a third architectural paradigm that is neither fully indigenous or colonial. Through extensive analysis of three major buildings-CMS Grammar School, Lugard Hall, and the First Storey House-this research traces the evolution of hybridization across three sectors–education, legislation and government, and residential. In doing so, it reveals how architecture has been used to push back and adapt existing power structures. Furthermore, this work broadens the existing conversation of hybrid architectures to include modern applications as a method of creating contemporary designs rooted in indigenous traditions. Ultimately, hybridization emerges not only as a reflection of Nigeria’s history but as a tool that can be used to elevate Nigeria, West Africa, and the Global South onto the global stage.