My dissertation is driven by the desire to understand time in the era of hypermediation, when images are no longer mimesis but the driving force for reality. Exploring Japanese cinema, photography, and critical thoughts from the 1960s to 1980s as well as the philosophy of time in the long 20th century, I theorize expressing time as a critical phenomenology of time that generates the affect of resistance to confront the technological maneuver of space-time, from the inception of storage media to the Cold War paradigm of cybernetics and system thinking.